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Few surviving songer-songwriters from the counterculture of the 60s have kept their reputations intact. Of the generation of troubadours who came of age in the London folk clubs of that era, some have passed away, while others have surrendered to the regurgitation of the blandest form of acoustic folk music. But among the survivors, there is one figure whose body of work, comprising 23 studio LPs and almost as many live and compilation releases, has come to stand for a particularly